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F.A.Q. about movies!!!! read this ! jargon and useful stuff Mon Jul 02, 2007 9:58 pm
djvito
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General Information
A RAR file
RAR is the native format of WinRAR archiver. Like other archives, RAR files are data containers, they store one or several files in the compressed form. After you downloaded RAR file from Internet, you need to unpack its contents in order to use it.
How to handle RAR files
WinRAR provides the complete support for RAR files, so you may both create and unpack them. If you installed WinRAR on your computer and downloaded RAR file from Internet, you may double click on RAR file icon to open it in WinRAR, select all files, press “Extract To” button, enter a destination path and press “OK”. Another way is to click on the RAR file in Explorer using the right mouse button. If you enabled “Shell integration” option when installing WinRAR, the file context menu will contain “Extract to …” item.
Some RAR files can be parts of multi-volume sequences. In WinRAR you can split a huge archive to a few smaller files, which are called volumes. They may have extensions .rar (the first volume), .r00, .r01, …, or .part1.rar (the first volume), .part2.rar, …, etc. If you need to unpack volumes, place all them to the same folder and start extraction from the first volume.
A ZIP file
A file format that compresses data to a small fraction of its original size in bytes. This makes transfer across a network or the Internet much faster. A single ZIP file can contain many individual files that will be reconsituted after the data is uncompressed. The ZIP format is used by many file compression programs. In order to use a file that has been compressed into a ZIP file, you must have a compression/uncompression software program ie WINZIP OR WINRAR.
What is a FTP
An FTP site is like a large filing cabinet. With a traditional filing cabinet, the person who does the filing has the option to label and organize the files how ever they see fit. They also decide which files to keep locked and which remain public. It is the same with an FTP site.
The virtual ‘key’ to get into an FTP site is the UserID and Password. If the creator of the FTP site is willing to give everyone access to the files, the UserID is ‘anonymous’ and the Password is your e-mail address (e.g. name@domain.com). If the FTP site is not public, there will be a unique UserID and Password for each person who is granted access.
When connecting to an FTP site that allows anonymous logins, you’re frequently not prompted for a name and password. Hence, when downloading from the Internet, you most likely are using an anonymous FTP login and you don’t even know it.
To make an FTP connection you can use a standard Web browser (Internet Explorer, Netscape, etc.) or a dedicated FTP software program(flashFXP), referred to as an FTP ‘Client’.
Movie Tags/Formats
CAM
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.
TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.
SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.
DVD-SCREENER (DVDSCR)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.
DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.
WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob). WPs can be nice additions to the collection once a good quality final has been obtained.
VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352×240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.
SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480×480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple “passes”. this takes a lot longer, but the results are far clearer.
XVCD/XSVCD
These are basically VCD/SVCD that don’t obey the “rules”. They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don’t intend to release them.
DivX / XviD
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we’ll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.
NFO
An NFO file is supplied with each movie to promote the group, and give general iNFOrmation about the release, such as format, source, size, and any notes that may be of use. They are also used to recruit members and acquire hardware for the group.
PROPER
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
SUBBED
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.
LIMITED
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.
Game Tags/Formats
.BIN/.CUE
The .BIN / .CUE CD image format was made popular by the CDRWin software. Afterwards many programs have started supporting or partially supporting it, including: Nero, Blindwrite, CloneCD, FireBurner. The .CUE file contains the track layout information, while the .BIN file holds the actual data. Use Daemon Tools to mount the files.
iSO
.ISO is also a CD image format, but is sometimes used for ‘ISO9660 format’ (standard, recognized by all applications) and sometimes for unique Easy CD ISO format. Use Daemon Tools to mount the files.
.r01, r02, r03 etc. files
If you find a directory with a bunch of files ending in .Rnn, it’s a RAR archive split into multiple parts. This is commonly done for posting to Usenet newsgroups. Open the .RAR file and extract the contents with WinRAR (Windows) or UnRarX (OS X.) Either program should automatically see all the parts if they are in the same directory.
A RAR file
RAR is the native format of WinRAR archiver. Like other archives, RAR files are data containers, they store one or several files in the compressed form. After you downloaded RAR file from Internet, you need to unpack its contents in order to use it.
How to handle RAR files
WinRAR provides the complete support for RAR files, so you may both create and unpack them. If you installed WinRAR on your computer and downloaded RAR file from Internet, you may double click on RAR file icon to open it in WinRAR, select all files, press “Extract To” button, enter a destination path and press “OK”. Another way is to click on the RAR file in Explorer using the right mouse button. If you enabled “Shell integration” option when installing WinRAR, the file context menu will contain “Extract to …” item.
Some RAR files can be parts of multi-volume sequences. In WinRAR you can split a huge archive to a few smaller files, which are called volumes. They may have extensions .rar (the first volume), .r00, .r01, …, or .part1.rar (the first volume), .part2.rar, …, etc. If you need to unpack volumes, place all them to the same folder and start extraction from the first volume.
A ZIP file
A file format that compresses data to a small fraction of its original size in bytes. This makes transfer across a network or the Internet much faster. A single ZIP file can contain many individual files that will be reconsituted after the data is uncompressed. The ZIP format is used by many file compression programs. In order to use a file that has been compressed into a ZIP file, you must have a compression/uncompression software program ie WINZIP OR WINRAR.
What is a FTP
An FTP site is like a large filing cabinet. With a traditional filing cabinet, the person who does the filing has the option to label and organize the files how ever they see fit. They also decide which files to keep locked and which remain public. It is the same with an FTP site.
The virtual ‘key’ to get into an FTP site is the UserID and Password. If the creator of the FTP site is willing to give everyone access to the files, the UserID is ‘anonymous’ and the Password is your e-mail address (e.g. name@domain.com). If the FTP site is not public, there will be a unique UserID and Password for each person who is granted access.
When connecting to an FTP site that allows anonymous logins, you’re frequently not prompted for a name and password. Hence, when downloading from the Internet, you most likely are using an anonymous FTP login and you don’t even know it.
To make an FTP connection you can use a standard Web browser (Internet Explorer, Netscape, etc.) or a dedicated FTP software program(flashFXP), referred to as an FTP ‘Client’.
Movie Tags/Formats
CAM
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.
TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.
SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.
DVD-SCREENER (DVDSCR)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.
DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.
WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob). WPs can be nice additions to the collection once a good quality final has been obtained.
VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352×240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.
SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480×480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple “passes”. this takes a lot longer, but the results are far clearer.
XVCD/XSVCD
These are basically VCD/SVCD that don’t obey the “rules”. They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don’t intend to release them.
DivX / XviD
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we’ll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.
NFO
An NFO file is supplied with each movie to promote the group, and give general iNFOrmation about the release, such as format, source, size, and any notes that may be of use. They are also used to recruit members and acquire hardware for the group.
PROPER
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
SUBBED
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.
LIMITED
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.
Game Tags/Formats
.BIN/.CUE
The .BIN / .CUE CD image format was made popular by the CDRWin software. Afterwards many programs have started supporting or partially supporting it, including: Nero, Blindwrite, CloneCD, FireBurner. The .CUE file contains the track layout information, while the .BIN file holds the actual data. Use Daemon Tools to mount the files.
iSO
.ISO is also a CD image format, but is sometimes used for ‘ISO9660 format’ (standard, recognized by all applications) and sometimes for unique Easy CD ISO format. Use Daemon Tools to mount the files.
.r01, r02, r03 etc. files
If you find a directory with a bunch of files ending in .Rnn, it’s a RAR archive split into multiple parts. This is commonly done for posting to Usenet newsgroups. Open the .RAR file and extract the contents with WinRAR (Windows) or UnRarX (OS X.) Either program should automatically see all the parts if they are in the same directory.
